Italian Early Renaissance Painter, 1420-1497 Italian Renaissance painter. Early in his career he assisted Lorenzo Ghiberti on the east doors of the Baptistery in Florence and Fra Angelico on frescoes in Florence, Rome, and Orvieto. His reputation today rests on the breathtaking fresco cycle The Journey of the Magi (1459 C 61) in the chapel of Florence's Medici-Riccardi Palace. His work as a whole was undistinguished, however. He painted several altarpieces and a series of 25 frescoes of Old Testament scenes   Related Paintings of GOZZOLI, Benozzo :. | Adoration of the Magig dg | View of the Chapel g | View of the Church of Sant'Agostino sdg | Madonna and Child Surrounded by Saints sd | Scenes from the Life of St Francis (Scene 6, north wall) g |
Related Artists:
Paul Baudry
French Academic Painter, 1828-1886. Specializes in Portraits Specializes in Portraits.was a French painter. He studied under Michel Martin Drolling and carried off the Prix de Rome in 1850 by his picture of Zenobia found on the banks of the Araxes. His talent from the first revealed itself as strictly academical, full of elegance and grace, but somewhat lacking originality. In the course of his residence in Italy Baudry derived strong inspiration from Italian art with the mannerism of Correggio, as was very evident in the two works he exhibited in the Salon of 1857, which were purchased for the Luxembourg: The Martyrdom of a Vestal Virgin and The Child. His Leda, St John the Baptist, and a Portrait of Beul, exhibited at the same time, took a first prize that year. Throughout this early period Baudry commonly selected mythological or fanciful subjects, one of the most noteworthy being The Pearl and the Wave (1862). Once only did he attempt an historical picture, Charlotte Corday after the murder of Marat (1861); and returned by preference to the former class of subjects or to painting portraits of illustrious men of his day: Guizot, Charles Garnier, Edmond About. The works that crowned Baudrys reputation were his mural decorations, which show much imagination and a high artistic gift for color, as may be seen. in the frescoes in the Paris Court of Cassation. at the château of Chantilly, and some private residences the Hôtel Fould and Hôtel Paivabut, above all, in the decorations of the foyer of the Opera Garnier. These, more than thirty paintings in all, and among them compositions figurative of dancing and music, occupied the painter for ten years. Baudry was a member of the Institut de France, succeeding Jean-Victor Schnetz. Two of his colleagues,
Julian Scott
American, 1846-1901 ,was born in Johnson, Vermont and was a Union Army drummer during the American Civil War who received America highest military decoration the Medal of Honor for his actions at the Battle of Lee Mills, he was also an American painter and a Civil War artist. Scott received his youthful education at the Lamoille Academy, known today as Johnson State College where the main gallery is named in his memory. Scott continued his studies graduating from the National Academy of Design in New York and subsequently studied under Emmanuel Leutze until 1868. During the Civil War, Scott enlisted in the 3rd Vermont Infantry on June 1, 1861, at the age of 15 as a fifer and in February 1865, was awarded the Medal of Honor for rescuing wounded under enemy fire during the Battle at Lee Mills, Virginia. When the war was over he traveled to Paris and Stuttgart to continue his education. Scott 1872 masterwork, the Battle of Cedar Creek, is located at the Vermont State House. The painting illustrates the contributions of his home state of Vermont in the American Civil War In 1890, and is significant for its absence of glorification of war and instead shows the suffering and human sacrifice associated with war making. Scott traveled west as part of a census party, painting Native Americans in New Mexico, Arizona and Oklahoma. Many of his works from this expedition now hang in the University of Pennsylvania Museum of Art. Scott was interred in Hillside Cemetery located in Scotch Plains, New Jersey
BELLOTTO, Bernardo
Italian Rococo Era Painter, ca.1721-1780 Bernardo Bellotto (30 January 1720 ?C 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedutes of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto ?? fraudulently, according to some. Especially in Germany, paintings attributed to Canaletto may actually be by Bellotto rather than by his uncle; in Poland, they are by Bellotto, who is known there as "Canaletto". Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views.